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Mon Sep 08, 2008 12:09 pm Passage is adapted from a novel set in the early twentieth century |
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The following passage is adapted from a novel set in the early twentieth century. Mr. Beebe, a clergyman, is speaking with Cecil Vyse about a mutual acquaintance, Lucy Honeychurch. Miss Honeychurch has recently returned from a journey with her older cousin and chaperone, Miss Bartlett.
“Lucy Honeychurch has no faults,” said Cecil, with grave sincerity. “I quite agree. At present she has none.” “At present?” “I’m not cynical. I’m only thinking of my pet theory about Miss Honeychurch. Does it seem reasonable that she should play piano so wonderfully, and live so quietly? I suspect that someday she shall be wonderful in both. The water-tight compartments in her will break down, and music and life will mingle. Then we shall have her heroically good, heroically bad—too heroic, perhaps, to be good or bad.” Cecil found his companion interesting. “And at present you think her not wonderful as far as life goes?” “Well, I must say I’ve only seen her at Tunbridge Wells, where she was not wonderful, and at Florence. She wasn’t wonderful in Florence either, but I kept on expecting that she would be.” “In what way?” Conversation had become agreeable to them, and they were pacing up and down the terrace. “I could as easily tell you what tune she’ll play next. There was simply the sense that she found wings and meant to use them. I can show you a beautiful picture in my diary. Miss Honeychurch as a kite, Miss Bartlett holding the string. Picture number two: the string breaks.” The sketch was in his diary, but it had been made afterwards, when he viewed things artistically. At the time he had given surreptitious tugs to the string himself. “But the string never broke?” “No. I mightn’t have seen Miss Honeychurch rise, but I should certainly have heard Miss Bartlett fall.” “It has broken now,” said the young man in low, vibrating tones. Immediately he realized that of all the conceited, ludicrous, contemptible ways of announcing an engagement this was the worst. He cursed his love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? “Broken? What do you mean?” “I meant,” Cecil said stiffly, “that she is going to marry me.” The clergyman was conscious of some bitter disappointment which he could not keep out of his voice. “I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. You ought to have stopped me.” And down in the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down the corner of his mouth. Was this the reaction his action would get from the whole world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. “I’m sorry I have given you a shock,” he said dryly. “I fear that Lucy’s choice does not meet with your approval.”
Could you please kindly explain the bold portions of this passage for me? I don't have any idea about every one of them?
| Quote: | The sketch was in his diary, but it had been made afterwards, when he viewed things artistically. At the time he had given surreptitious tugs to the string himself.
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What sketch is this? And what does "afterwards" mean? After when does he begin to view things artistically and "make" that sketch? Does he draw the sketch himself? Of the two pictures he present, which is photograph or which does he draw? What does "surreptitous tugs" mean? Everything is on photo/paper, why can the man tug the kite?
Thanks in advance. |
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Sympathy You can meet me at english-test.net
Joined: 08 Dec 2007 Posts: 93
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Mon Sep 08, 2008 15:28 pm Passage is adapted from a novel set in the early twentieth century |
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| Quote: | The sketch was in his diary, but it had been made afterwards, when he viewed things artistically. At the time he had given surreptitious tugs to the string himself.
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| Quote: | What sketch is this? And what does "afterwards" mean? After when does he begin to view things artistically and "make" that sketch? Does he draw the sketch himself? Of the two pictures he present, which is photograph or which does he draw? What does "surreptitous tugs" mean? Everything is on photo/paper, why can the man tug the kite?
Thanks in advance. |
Here, the words 'picture' and 'sketch' refer to the same thing. The picture is the sketch he has made in his diary. When he says he made the sketch afterwards, he's saying that he did not draw the sketch as it happened, but rather did it from memory at a later date. Rather than trying to capture the scene literally, verbatim as it happened, allowed himself to view the scene through the lens of artistic expression. In other words, he perhaps changed some details to make the picture as he wanted it to be, rather than how it actually appeared.
Here, when he talks about the strings, he doesn't mean the literal strings in the picture. He's using the word 'strings' as a metaphor. Keep in mind that Miss Bartlett is the chaperone of Miss Honeychurch. A chaperone is somebody who is responsible for watching over and keeping somebody out of trouble. Thus, if he refers to Miss Honeychurch as a kite, struggling to fly free. Miss Bartlett, as the chaperone, is the person who is keeping her from flying free.
Surreptitiously means 'secretly', or to do something without being seen. So when he secretly tugs on the strings, he's trying to tug (pull) on the strings hard enough that they will break, and the kite (Miss Honeychurch) will be able to fly free.
In other words, he's secretly hoping that Miss Honeychurch will be able to escape her chaperone. One of the roles of a chaperone is to supervise a young unmarried woman in the presence of men. I think that Mr. Beebe is romantically interested in Miss Honeychurch, and would like to talk to her without a chaperone present.
Notice some of the other things he has said and done. He says "Miss Honeychurch has no faults." He is drawing pictures of her in his diary. He says many other flattering things about her, and is in fact, enamored of her.
Are you asking about the other bold portions of the text, as well, or just that paragraph? _________________ Native speaker but not a perfect speaker.
But completely fluent in over six million forms of Teflese. |
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Skrej I'm here quite often ;-)

Joined: 03 Jul 2008 Posts: 369 Location: Not-quite exact central USA
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Tue Sep 09, 2008 4:21 am Passage is adapted from a novel set in the early twentieth century |
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Thank you very much Skrej. Now the "The sketch ... himself" paragraph becomes very clear to me!
Yes, I am asking your help about the other bold portions of the text, too. I'm just BLANK about the other bold portions, so I cannot ask anything specific as I do to the "The sketch...himself" paragraph. Could you please help me with them?
| Quote: | | Notice some of the other things he has said and done. He says "Miss Honeychurch has no faults." He is drawing pictures of her in his diary. He says many other flattering things about her, and is in fact, enamored of her. |
No, Mr Beebe doesn't say that. It's Mr Cecil Vyse.
Thank you very much for your help. |
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Sympathy You can meet me at english-test.net
Joined: 08 Dec 2007 Posts: 93
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Tue Sep 09, 2008 5:00 am Passage is adapted from a novel set in the early twentieth century |
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| Quote: | | Notice some of the other things he has said and done. He says "Miss Honeychurch has no faults." He is drawing pictures of her in his diary. He says many other flattering things about her, and is in fact, enamored of her. |
| Quote: | No, Mr Beebe doesn't say that. It's Mr Cecil Vyse.
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You're correct, he doesn't actually say that she has no faults, but he does agree with Cecil, when Cecil says this.
| Quote: | Then we shall have her heroically good, heroically bad—too heroic, perhaps, to be good or bad. |
One meaning of heroic is 'extreme or drastic'. So he's saying that then she'll be extremely good, or extremely bad, or perhaps she'll become too extreme to classify as either good or bad.
Earlier he mentions that he thinks that the fact that she plays piano so wonderfully, but lives such a quite life are at odds. He states that maybe someday this compartments which keep her music and her life separate will break, and she'll be musical and lively. And when this happens, she'll become extremely good, or extremely bad (naughty) or perhaps so extremely lively and musical that it's impossible to classify her as good or bad.
| Quote: | | drew down the corner of his mouth |
This is just another way of saying 'frown'. When you frown, the corners of your mouth draw down. 'Draw' can also mean 'to cause to move in a certain direction'.
When he says 'the whole world', he means everybody in the world. He's asking if everybody in the word is going to disapprove of his actions (asking Lucy to marry him).
| Quote: | he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. |
This is just another way of saying he despises (looks down on, or thinks of with contempt) the entire world. World here again means all the people in the world. His thinking is that any refined (a sophisticated or upper-class intelligent) man would and should despise the rest of the world. If you don't, then you don't pass this test of refinement.
| Quote: | I fear that Lucy’s choice does not meet with your approval.” |
Lucy's choice was to accept Cecil's offer of engagement. So when Cecil sees Mr. Beebe's reaction (and hears the disappointment in his voice) when Mr. Beebe hears that she's to marry Cecil, Cecil is commenting (in a kind of joking manner) that he (Cecil) is afraid (concerned) that Lucy's choice to marry him doesn't meet with Mr. Beebe's approval. The joke here, is of course, that naturally Mr. Beebe doesn't approve, because he likes Lucy himself. _________________ Native speaker but not a perfect speaker.
But completely fluent in over six million forms of Teflese. |
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Skrej I'm here quite often ;-)

Joined: 03 Jul 2008 Posts: 369 Location: Not-quite exact central USA
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Thu Nov 13, 2008 11:06 am Mr. Beebe and Lucy |
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The messages here are from 2 months ago, but I am reading the novel now and came across this page, and I just couldn't resist saying that I really do NOT think that Mr. Beebe is in love with Lucy. There are several passages in the book that hint Mr. Beebe is a confirmed celibate. He is not romantically interested in her; he merely admires her. He would like to see her free from Charlotte not because he wants to be alone with her, but because he thinks that her spirit is capable of reaching great heights if she is not tied down by dreary Edwardian convention.
AND, he does not approve of the choice of Cecil because he thinks Cecil is wrong for Lucy, not because he himself wants to marry her. He is a clergyman and will not marry. |
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Jenny New Member
Joined: 13 Nov 2008 Posts: 2
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| What is the meaning of "work road"? | Usage of "go hiking to" and "in the mountains" |