DescriptionCombined for great value! The multi award-winning SmartPass study guide with and without commentary options. This is a full-cast, unabridged performance with comprehensive commentary and analysis, enabling any student to fully understand and appreciate the play. Peel away the layers of Priestley's complex drama to appreciate his powerful warning, wrapped up in the genre of a gripping detective story, to truly understand that "We don't live alone. We are members of one body."
DescriptionA Jewish man works as a department-store Santa in this comic tale, a short story from Nathan Englander's collection For the Relief of Unbearable Urges .
Description"Outside! What's it like?" Masklin looked blank. "Well, " he said. "It's sort of big." To the thousands of tiny nomes who live under the floorboards of a large department store, there is no Outside. Things like Day and Night, Sun and Rain are just daft old legends. Then a devastating piece of news shatters their existence: the Store, their whole world, is to be demolished. And it's up to Masklin, one of the last nomes to come into the Store, to mastermind an unbelievable escape plan that will take all the nomes into the dangers of the great Outside. The story is brought to life by writer, actor, and documentary-maker Tony Robinson, well-known for the popular TV series Time Team and his roles as the Sheriff of Nottingham in Maid Marion and Her Merry Men and Baldrick in Blackadder .
Description52 Waratah Avenue is a gripping story of ambition, tough choices, and the complexities of love. As Laura Beaumont struggles with the loss of love, her other life's passion comes under threat: someone is trying to sabotage Ashworths, the exclusive
DescriptionThis radio dramatization of the classic movie features the original stars, including Edmund Gwenn re-creating his Academy Award-winning role. It aired on December 20, 1948. The Lux Radio Theatre was one of radio's most popular series attracting Hollywood's top stars and boasting a lavish budget. It began in 1934 by featuring dramas from Broadway, but there was not enough material to support the show. In an attempt to reverse the slipping ratings, the show was moved to Hollywood in 1936, where there was plenty of material and talent. In fact, filmmaker Cecil B. DeMille often served as the host.